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Dinner and A Movie Final Image/ Artist Statement
Statement: This project was introduced to us as a way to physically represent a film, either well known or not mainstreamed, in the form of a place of sitting at the dinner table getting ready to eat a meal. For this film, I chose the popular mainstream films of "Fast and the Furious" and the idea was to best represent some of the main aspects on the series. Showing the constructive side rather than the close family ties and action adventured scenes and high speed pursuits these films have spoiled us with. Since the series is mainly set around main characters who are very mechanically gifted I wanted to represent it as such. The overall symmetry represented in the tools shows how they were organized and centered when it came to planning out their vehicles, primarily being methodical. The tire and the tank show the creative aspect of unit, mainly how the combine interesting modifications to their vehicles to get whatever job done smart and effectively. ...
Touch Assignment
Evolution Photograph "Language is steeped in metaphors of touch. We call our emotions feelings, and we care most deeply when something "touches" us". Problems can be thorny, ticklish, sticky, or need to be handled with kid gloves." - Diane Ackerman, A Natural History of the Senses, Speaking of Touch Statement: I used books I had in my library that I’ve had from childhood to most recently. It’s positioning shows how life isn’t as straightforward as one would be educated in. The work is to symbolize how language can "touch" us deeply. Fantasy is taught through multiple aspects, through "metaphors", and colorful language. War, even fictional, can be all the more eye opening to read about becoming "thorny" and "sticky". Once opened we regress back to state of childlike innocence, the mind handling it "with kid gloves". Once accepting the situation in front of us, passing on what you know helps the next. The parall...
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